AKG C414 XLS

AKG C414 XLS – Reference Multipattern Condenser Microphone

The AKG C414 XLS is a premium condenser microphone offering an exceptional selection of nine polar patterns to adapt to any recording situation. A direct descendant of the legendary C414 B-ULS, it carries on a legacy dating back to 1971, renowned for its neutrality, linearity, and unmatched versatility.

Designed to capture vocals and acoustic instruments with outstanding detail, the C414 XLS combines an extended 20 Hz–20 kHz frequency response with an ultra-low self-noise of just 6 dB-A. Its high-precision internal circuitry ensures a natural and faithful sound, free from coloration, ideal for professional environments such as studios, broadcast, ensemble recording, ambient capture, or solo instruments.

The microphone offers nine selectable polar patterns (cardioid, wide cardioid, hypercardioid, omnidirectional, figure-8 + intermediary positions) for perfect adaptation to any source and configuration. Three attenuation pads (-6 / -12 / -18 dB) provide total control over high-output sources up to 158 dB SPL. The bass-cut filters (40, 80, 160 Hz) help manage rumble, vibrations, and proximity effect with precision.

A peak-hold overload LED ensures instant visual monitoring of excessive levels, even during fast transients. For live environments or fixed installations, all controls can be locked to prevent accidental adjustments.

With its robustness, legendary precision, and unparalleled flexibility, the C414 XLS remains one of the most widely used microphones worldwide, excelling on vocals, strings, woodwinds, brass, piano, percussion, and professional ambient recording.

Specifications:

• Type: large-diaphragm multipattern condenser microphone
  
  
• Polar patterns: 9 modes — cardioid, wide cardioid, hypercardioid, omnidirectional, figure-8 and intermediate
  
  
• Frequency response: 20 Hz – 20 kHz
  
  
• Self-noise: 6 dB-A
  
  
• Sensitivity: 23 mV/Pa
  
  
• Signal-to-noise ratio: 88 dB(A)
  
  
• Attenuation pads: -6 dB, -12 dB, -18 dB
  
  
• Bass-cut filters: 40 Hz, 80 Hz, 160 Hz (12 dB/octave)
  
  
• Max SPL: up to 158 dB SPL (with pad)
  
  
• Electrical impedance: 200 ohms
  
  
• Recommended load impedance: ≥ 2,200 ohms
  
  
• Powering: 44–52 V, 4.5 mA
  
  
• Connector: balanced 3-pin XLR
  
  
• Dimensions: 38 × 50 × 160 mm
  
  
• Weight: 300 g
  
  
• Finish: dark gray / silver
  
  
• Applications: pro studio, vocals, piano, strings, woodwinds, brass, percussion, ambience, orchestra, broadcast
  
  
• Suitable instruments: vocals, pianos, strings, woodwinds, brass, guitars, percussion, acoustic ensembles
  
  
• Included accessories: H85 shock mount, PF80 pop filter, W414 windscreen, metal carrying case
  
  

Key Points:

• Successor to the C414 B-ULS: legendary neutrality and linearity since 1971.
  
  
• 9 selectable polar patterns: ultimate flexibility for any recording setup or source.
  
  
• Ultra-low noise: only 6 dB-A for exceptional detail and clarity.
  
  
• Multiple attenuation pads: -6 / -12 / -18 dB — ideal for sources up to 158 dB SPL.
  
  
• 3 bass-cut filters: precise control of rumble and proximity effect.
  
  
• Peak-hold LED: displays even the shortest overload peaks.